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Design Between the Lines
The car industry and the way in which cars are created have changed beyond all recognition over the last half-century.Automotive styling was once the grudging afterthought when the engineers had finished their work.Now, following a short flirtation with exotic Italian design houses, it has evolved into sophisticated design carried out by multitalented in-house teams honing carefully crafted brand identities. One of the visionary designers at the forefront of that revolution has been Patrick le Quement.Most widely acclaimed for his 22 years in charge of Renault Design, resulting in such standout models as the Twingo, Scenic and Avantime, le Quement has enjoyed a 50-year career that has also taken in Simca, Ford and Volkswagen-Audi.In his foreword to the book, Stephen Bayley calls le Quement `perhaps the very most original designer working in the conservative car business at the turn of the millennium'.Some 60 million cars across the world now bear the unmistakable stamp of le Quement. Design: Between the Lines is not a straightforward autobiography; rather, le Quement charts his journey through five decades of thoughts, actions, failures and successes.He offers fascinating commentaries on design and the creative process, and on some of the extraordinary automotive brands that make up our shared cultural heritage.As Bayley notes, for le Quement, design is `as much a matter of thinking as a matter of drawing'.On a broader, more philosophical level, le Quement also shares his views about life in general and that remarkable contraption called `the automobile', which has so influenced the lives of millions of people the world over from the late 1800s to the present day.Presented as a series of 50 brief essays or `perspectives', le Quement's thoughtful and astute observations from the street, from the design studio and from his seat in the boardroom give the reader a penetrating and often amusing insight into the high-level workings of a global industry, its triumphs and tragedies, and the foibles of the decision-makers responsible for running it.A lively complementary text by the automotive journalist Stephane Geffray accompanies each of le Quement's perspectives, and illustrations are provided by the automobile designer Gernot Bracht.Design: Between the Lines will appeal to all motoring fans and enthusiasts of good design.As Chris Bangle, the former Director of BMW Design, remarks: `Few car designers have had a career so filled with innovative successes that they have inspired a whole industry; fewer still have the skills to share it.Engaging and revealing, Patrick relates his personal experience and deep knowledge of car design in a very enjoyable manner.'
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Living Lines : Form Drawing Inspiration for Steiner-Waldorf Teachers
Form drawing, allowing children to understand the idea of a form and encouraging them to recreate it in their own way, is a key principal of Steiner-Waldorf education and its study enriches the teaching of all subjects in the curriculum.This unique book first explains form drawing and its role in Steiner-Waldorf schools, while also tackling practicalities such as advice on suitable paper and pencils.It goes on to offer a wide selection of exercises for Classes 2 to 5, with step-by-step instructions on how they can be taught, arranged both by class and by theme, drawing on examples of pupils' work and images of forms from nature and cultural heritage.Teachers can use these lessons as an inspiring starting point. This fascinating and beautiful book will allow Waldorf educators, at school and home, to confidently teach form drawing to their pupils.
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Art, Creativity and Imagination in Social Work Practices
Harnessing the inspiration available from the arts and the imagination brings to life sensitive and effective social work practice.Workers feel most satisfied while service users and communities are more likely to benefit when creative thinking can be applied to practice dilemmas.Drawing on contributions from Canada, England and Utrecht this book illustrates the transforming effect of creatively applied thinking to social problems.The first part of the book considers how use of the self can be enhanced by analytic reflection and application to difficulties facing individuals and communities.The second part shows psychodynamic theory to be a valuable aid when thinking about issues faced by social workers facing threats and accusations, therapeutic work with children and restorative youth justice.The third part of the book considers the implications of working with the arts in community settings – an ex-mining community in North West England, the Tate Gallery in London and the ‘cultural capital’ of Liverpool.Taken as a whole these chapters combine to inspire and provoke thought of how the arts and the imagination can be used creativity to help service users confronted by problems with living and the workers who attempt to get alongside them to think about these. This book was published as a special issue of the Journal of Social Work Practice.
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Art Magick Cards : An Inspiration Deck for Creativity
The Art Magick Cards are a new card deck from illustrator and art witch Molly Roberts, and are the perfect inspiration tool to kickstart creativity and imbue an art witch practice with the magic of colour.Perfect for all art witches, whether experienced or aspiring, this deck helps you to unlock your creative potential and enter a state of magical flow. Inspired by the colour spectrum, the deck is made up of 45 cards arranged by the five elements: Earth, Air, Water, Fire and Ether.Users can let intuition be their guide in choosing a card, revealing to themselves what creative practice might suit their needs at that time, or seek out a specific card or practice to bolster and boost their mood.Feeling like your creative light is a little dim? A sunrise-bright fire card will remind you to set your intentions!Need some space to think? An air card the colour of the sky at dusk will remind you to trust your intuition. The deck is accompanied by a 16 page booklet that explores the power of colour and the way we can bring it into our lives and magickal practice, as well as introducing the concepts that underpin the deck, and suggested ways to use it.Rooted firmly in the belief that we are all capable of creating beautiful art, this deck will help users to discover that natural gift, and in doing so, unleash their own magick on the world.
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What are motion lines in art?
Motion lines in art are lines or marks that are used to convey a sense of movement or action within a still image. They are often used in comic books, cartoons, and other forms of visual storytelling to show the path of a moving object or character. Motion lines can vary in style and intensity, and are typically drawn in the direction of the movement to create a dynamic and energetic effect in the artwork.
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What is the difference between creativity and imagination?
Creativity is the ability to bring something new into existence, whether it be a product, idea, or solution. It involves the process of generating original and valuable ideas. Imagination, on the other hand, is the ability to form mental images, sensations, and concepts that are not present in one's immediate surroundings. It is the capacity to visualize and conceptualize things that may not exist in reality. In essence, creativity involves the application of imagination to produce something tangible and valuable.
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How can one develop visual imagination or creativity?
One can develop visual imagination or creativity by practicing observation and mindfulness. Taking the time to really see and appreciate the world around us can help to develop a deeper understanding of visual elements and how they can be used creatively. Engaging in activities such as drawing, painting, photography, or even just doodling can also help to exercise and expand visual imagination. Additionally, seeking inspiration from other artists and exposing oneself to a variety of visual stimuli can help to spark creativity and imagination.
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Why are equipotential lines always perpendicular to field lines?
Equipotential lines are always perpendicular to field lines because the electric field is always perpendicular to the equipotential surface. This is because the electric field is the gradient of the electric potential, and the gradient is always perpendicular to the equipotential surface. Therefore, the equipotential lines, which represent points of equal electric potential, must be perpendicular to the electric field lines. This relationship ensures that work done in moving a charge along an equipotential line is zero, as the electric field does no work in a direction perpendicular to its field lines.
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Art Magick Cards: An Inspiration Deck for Creativity
Art Magick Cards: An Inspiration Deck for Creativity
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Lines
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Lines of Vision : Irish Writers on Art
Fifty-six Irish writers have contributed new short stories, essays and poems to this anthology inspired by art from the National Gallery of Ireland collection.It includes work by acclaimed figures in contemporary Irish literature such as Colm Tóibín, John Banville, Roddy Doyle, Colum McCann and Seamus Heaney.Each of the writers has selected a picture and used it as a setting-off point to explore ideas about art, love, loss, family, dreams, memory, places and privacy.Both the artworks and the literary responses to them are vibrantly diverse.The works range from paintings by old masters such as Caravaggio, Rembrandt, El Greco and Velázquez to pictures by Claude Monet, Pierre Bonnard and Gabrielle Münter, and by Irish artists such as Jack B.Yeats, John Lavery, Gerard Dillon and Paul Henry. Published to mark the 150th anniversary of the National Gallery of Ireland, this beautifully illustrated book is edited by Janet McLean, Curator of European Art 1850-1950 at the NGI.
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Lines of Vision: Irish Writers on Art
Lines of Vision: Irish Writers on Art
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How do show lines and working lines differ in dogs?
Show lines and working lines in dogs differ primarily in their breeding purpose and physical characteristics. Show lines are bred for conformation to breed standards and are often selected for their appearance in dog shows. Working lines, on the other hand, are bred for their ability to perform specific tasks such as herding, hunting, or protection work. Working lines tend to have a higher drive, energy level, and intelligence compared to show lines, as they are bred for their working abilities rather than their appearance. Additionally, working lines may have a more athletic build and higher stamina to excel in their designated tasks.
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Are laugh lines bad?
Laugh lines, also known as smile lines or nasolabial folds, are a natural part of aging and are not inherently bad. They are a sign of a life filled with laughter and joy. However, some people may feel self-conscious about their laugh lines and choose to address them through cosmetic procedures. Ultimately, whether laugh lines are considered "bad" is subjective and varies from person to person.
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What are eel lines?
Eel lines are traditional fishing gear used to catch eels. They consist of a series of baited hooks attached to a main line, which is typically anchored to the riverbed or shoreline. Eel lines are set in the water and left for a period of time to allow eels to be attracted to the bait and caught on the hooks. This method of fishing has been used for centuries in various cultures around the world.
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What are contour lines?
Contour lines are lines on a map that connect points of equal elevation. They help to represent the shape and elevation of the land by showing how steep or gradual the terrain is. Contour lines that are close together indicate a steep slope, while contour lines that are further apart indicate a more gradual slope. By following contour lines, hikers and outdoor enthusiasts can better understand the topography of an area and plan their routes accordingly.
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