Products related to Visual:
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Fantasy : Invention, Creativity, and Imagination in Visual Communications
The first-ever English translation of Bruno Munari’s classic treatise on creativity, replete with new contextualizing annotations “But isn’t imagination also fantasy? And can’t fantastic images also assume the form of sounds?Musicians speak of sonic images, sound objects. How does one invent a fish tale, an air-cooled engine, a new plastic? ... fantasy, invention, creativity think; imagination sees.”Never before translated into English, Bruno Munari’s Fantasy, originally published in Italian in 1977, invites the reader to explore their own imagination, creativity and fantasy through a journey into Munari’s mind and work.His theory of creativity, developed in conversation with the Reggio Emilia Approach (a self-guided approach to education) and the work of Jean Piaget (a Swiss developmental psychologist who proffered a theory termed “genetic epistemology”) foregrounds the book’s journey through Munari’s design processes, both working for clients and teaching design principles to children.By turning both life and work into a classroom, Munari unlocks a path through imagination in order to access his, and in turn the reader’s, deepest sense of play. The facsimile reprint is accompanied by new contextual annotations by Munari scholar and design historian Jeffrey Schnapp.These microinterventions highlight the innovations that make this work as relevant today as when originally published.Bruno Munari (1907–98) was an Italian artist, designer and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in Modernism, Futurism and Concrete art, as well as to nonvisual arts (literature, poetry) through his research on games, didactic method, movement, tactile learning, kinesthetic learning and creativity.
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Foundations of Visual Communication : How Visuals Appear in Daily Life
Drawing upon theories from visual studies, critical visual culture studies, and cognitive psychology, and with a special focus on gender and ethnicity, this book gives students a theoretical foundation for future work as visual communicators. The book takes a closer look at the interwoven character of perception and reception that is present in everyday visual encounters.Chapters present a wide variety of visual examples from art history, digital media, and the images we encounter and use in our daily lives.With the tools to understand how images and text make meaning, students are thus prepared to better communicate through visual media.This book serves as a main or supplementary text for visual communication or visual culture courses.
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Opt Art : From Mathematical Optimization to Visual Design
A fun and stunningly illustrated introduction to the art of linear optimizationLinear optimization is a powerful modeling method for discovering the best solution to a problem among a set of available alternatives.It is one of today’s most important branches of mathematics and computer science—and also a surprisingly rich medium for creating breathtaking works of art.Opt Art takes readers on an entertaining tour of linear optimization and its applications, showing along the way how it can be used to design visual art. Robert Bosch provides a lively and accessible introduction to the geometric, algebraic, and algorithmic foundations of optimization.He presents classical applications, such as the legendary Traveling Salesman Problem, and shows how to adapt them to make optimization art—opt art.Each chapter in this marvelously illustrated book begins with a problem or puzzle and demonstrates how the solution can be derived using a host of artistic methods and media, including 3D printing, laser cutting, and computer-controlled machining.Bosch focuses on mathematical modeling throughout—converting a problem into a workable mathematical form, solving it using optimization techniques, and examining the results, which can take the form of mosaics, line drawings, and even sculpture.All you need is some high-school algebra, geometry, and calculus to follow along. Featuring more than a hundred illustrations and photos of Bosch’s own art, Opt Art demonstrates how mathematics and computing can be used to create beauty and express emotion through amazing works of art.
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Pirandello’s Visual Philosophy : Imagination and Thought across Media
This collection draws on cutting-edge work that crosses traditional disciplinary boundaries to offer new perspectives on the importance of visuality and the imagination in the work of Luigi Pirandello, the great Italian modernist.The volume re-examines traditional critical notions central to the study of Pirandello by focusing on the importance of the visual imagination in his poetics and aesthetics, an area of multimedia investigation which has not yet received ample attention in English-language books.Putting scholarship on Pirandello in conversation with new work on the multimedia dimensions of modernism, the volume examines how Pirandello worked across and was adapted through multiple media.It also brings Pirandello into a cross-disciplinary dialogue with new approaches to Italian cultural studies to show how his work remains relevant to scholarly conversations across the field.The essays in this collection highlight the ways in which Pirandello is engaged not only in literature and theatre but also in the visual arts, film, and music.At the same time, they emphasize the ways in which this multimedia creativity enables Pirandello to pursue complex philosophical thoughts, and how scholars’ interpretation of his works can provide new insights into problems facing us today.Crossing from aesthetics and a study of modernist notions of creative imagination into studies of multimedia works and adaptations, the volume argues that Pirandello should be understood as a thinker in images whose legacy can be felt across the arts and into the realm of 21st-century theories of literary cognition.
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How can one develop visual imagination or creativity?
One can develop visual imagination or creativity by practicing observation and mindfulness. Taking the time to really see and appreciate the world around us can help to develop a deeper understanding of visual elements and how they can be used creatively. Engaging in activities such as drawing, painting, photography, or even just doodling can also help to exercise and expand visual imagination. Additionally, seeking inspiration from other artists and exposing oneself to a variety of visual stimuli can help to spark creativity and imagination.
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How good is your visual imagination?
As an AI language model, I don't have personal experiences or visual imagination. However, I have been trained on a diverse range of visual and textual data, which allows me to generate descriptions and understand visual concepts. My ability to imagine and describe visuals is based on the information and context provided to me.
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What are exciting visual art books?
Exciting visual art books are those that showcase stunning and innovative artwork, whether it's traditional paintings, modern digital art, or experimental mixed media. These books often feature vibrant and captivating images that inspire and captivate the reader. They may also include insightful commentary or behind-the-scenes looks at the creative process, providing a deeper understanding of the art and the artist's vision. Overall, exciting visual art books are a feast for the eyes and a source of inspiration for art enthusiasts.
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What is the difference between visual art and fine art?
Visual art is a broad term that encompasses any form of art that is primarily visual in nature, including painting, drawing, sculpture, photography, and printmaking. Fine art, on the other hand, refers to a specific category within visual art that is created for aesthetic and intellectual purposes rather than for practical or utilitarian purposes. Fine art often involves a high level of skill and creativity, and is typically displayed in galleries and museums. In essence, all fine art is visual art, but not all visual art is considered fine art.
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Visual Thinking for Design
Visual Thinking brings the science of perception to the art of design.Designers increasingly need to present information in ways that aid their audience’s thinking process.Fortunately, results from the relatively new science of human visual perception provide valuable guidance. In this book, Colin Ware takes what we now know about perception, cognition, and attention and transforms it into concrete advice that designers can directly apply.He demonstrates how designs can be considered as tools for cognition – extensions of the viewer’s brain in much the same way that a hammer is an extension of the user’s hand.The book includes hundreds of examples, many in the form of integrated text and full-color diagrams. Experienced professional designers and students alike will learn how to maximize the power of the information tools they design for the people who use them.
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Art : A Visual History
"Art is not what you see, but what you make others see." Edgar DegasCovering every era and over 650 artists, this comprehensive, illustrated guide offers an accessible yet expansive view of art history, featuring everything from iconic works and lesser-known gems to techniques and themes. Offering a comprehensive overview of Western artists, themes, paintings, techniques, and stories, Art: A Visual History is packed full of large, full-colour images of iconic works and lesser-known gems.Exploring every era, from 30,000BCE to the present, it includes features on the major schools and movements, as well as close-up critical appraisals of 22 masterpieces - from Botticelli's Primavera to J.M. W. Turner's The Fighting Temeraire. With detailed referencing, crisp reproductions and a fresh design, this beautiful book is a must-have for anyone with an interest in art history - from first-time gallery goers to knowledgeable art enthusiasts.What makes great art? Discover the answer now, with Art: A Visual History.
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Art: A Visual History
Art: A Visual History
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Scenography and Art History : Performance Design and Visual Culture
Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields.It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions.With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events.It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly.The book contends that scenography is no longer restricted to the traditional space of the theatre, but has become an important concept for approaching art historical and contemporary objects and events.It explores scenography not solely as a critical approach and theoretical concept, but also as an important practice linked with unrecognized labour and broader political, social and gendered issues in a great variety of contexts, such as festive culture, sacred settings, fashion, film, or performing arts.Designed as a key resource for students, teachers and researchers in art history, visual studies, and related subjects, the book, through its cross-disciplinary frame, does consider, implicitly and explicitly, the roles of both scenography and art in society.
Price: 21.99 £ | Shipping*: 3.99 £
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What is the difference between fine art and visual art?
Fine art and visual art are often used interchangeably, but there is a subtle difference between the two. Visual art is a broad term that encompasses all forms of art that are visual in nature, including painting, drawing, sculpture, photography, and printmaking. On the other hand, fine art refers to a specific category within visual art that is created primarily for aesthetic and intellectual purposes, often with a high level of skill and creativity. Fine art includes disciplines such as painting, sculpture, and printmaking, and is often displayed in galleries and museums.
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Requesting help from art enthusiasts regarding visual arts.
If you are seeking help from art enthusiasts regarding visual arts, consider reaching out to online art communities, forums, or social media groups dedicated to the subject. You can also attend art exhibitions, workshops, or classes to connect with like-minded individuals who can offer insights and advice. Be specific about the type of help you need, whether it's feedback on your own artwork, recommendations for artists to study, or resources for learning new techniques. Remember to engage in meaningful conversations, show appreciation for others' expertise, and be open to learning and growing as an artist.
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What are methods of visual analysis in art?
Methods of visual analysis in art involve closely examining and interpreting the visual elements of a work, such as color, line, shape, texture, and composition. This can include identifying patterns, symbolism, and visual techniques used by the artist. Additionally, art historians may consider the historical context, cultural influences, and artistic movements that may have impacted the creation of the artwork. By analyzing these visual elements and contextual factors, viewers can gain a deeper understanding of the artwork and its significance.
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Which study programs focus on analytical thinking and spatial-visual imagination?
Programs in fields such as mathematics, physics, engineering, computer science, architecture, and design often focus on analytical thinking and spatial-visual imagination. These programs require students to think critically, solve complex problems, and visualize spatial relationships. For example, mathematics and physics programs emphasize analytical thinking, while architecture and design programs focus on spatial-visual imagination. Engineering and computer science programs also require a combination of analytical thinking and spatial-visual skills to design and develop innovative solutions.
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